Exhibitions
Tinworks Art 2019
July 12–August 17, 2019
Tinworks Art 2019

Overview

In 2019, Tinworks Art brought together artists from across the Bozeman community and beyond to create site-specific works of art that reimagined the possibilities and identities an empty building contained. Through the efforts of these nationally-renowned visual and performing artists, the old Tinworks warehouse was transformed into a dynamic space where visitors experienced art in new and unexpected ways. Tinworks Art featured four visual artists, two performing artists, and a series of community-led conversations.

Visual artists included: nationally-renowned Montana artists Deborah Butterfield and John Buck; accomplished visual and performance artist Adam Frelin; and Bay Area artist Chris Fraser, who drew his inspiration from historic image-making technologies. Performance artists included: two-time Grammy-winning choir, The Crossing, featuring local choral group, the Aoide Chamber Singers; and native artist Bently Spang, who drew inspiration from his experience as a contemporary Tsistsistas/Suhtaio. The Northeast Neighborhood Association of Bozeman also led a series of conversations inspired by their PhotoVoicesNE project—a project that curated photos from the community to give voice to the neighborhood and its character.

About the Artists

John Buck

Deborah Butterfield

The Crossing, conducted by Donald Nally

Chris Fraser

Adam Frelin

The Northeast Neighborhood Association

Bently Spang

From the Artists

This unique performance at Tinworks Art represented an opportunity to rekindle the often-neglected narrative of Native history in this influential place for many Native communities. It connected to the ongoing thread of Native existence—a continuum that I and other living Native individuals are intrinsically part of.

—Bently Spang

Moreover, it was an act of cross-cultural celebration that acknowledged the significance of cultural power and laid the groundwork for reconciliation and a future marked by greater cultural unity.

—Bently Spang

“It seems to me to be the perfect piece to bring to this transitioning place, to remind us that our history is not in buildings or even in plots of land that humans imagine we can 'own'; it is always in the lives lived by the people, and the animals, and the plants that have graced this piece of earth.”

—Conductor Donald Nally